Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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STANZIONE, Massimo
Pieta ry

ID: 09155

STANZIONE, Massimo Pieta  ry
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STANZIONE, Massimo Pieta  ry


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STANZIONE, Massimo

Italian Baroque Era Painter, 1585-1656 Italian painter. Primarily a painter of altarpieces and frescoes, his large production and vast following of students and imitators made him perhaps the leading Neapolitan painter in the first half of the 17th century. He was known as the great rival of Jusepe de Ribera, and for most of the 1630s and 1640s he and Ribera dominated painting in Naples. Stanzione's rich colour and idealized naturalism, for which he was called 'il Guido Reni napoletano', definitively influenced numerous local artists and remained discernible in the earliest works (1670s) of Francesco Solimena. Only a few portraits and mythological paintings by Stanzione are known,   Related Paintings of STANZIONE, Massimo :. | Hercules | Der Tag Danach | old man with a young boy | Holy Family with Angels | Glide |
Related Artists:
Jeanne-Philiberte Ledoux
painted Portrait of a lady, said to be the Duchesse de Choiseul in 18th century
Jean - Andre Rixens
French, 1846 - 1924
James-Goodwyn Clonney
British/American, 1812-1867, American painter. He was one of the first generation of American genre painters. His earliest datable work includes two lithographs of urban views and images of birds and animals published in New York between 1830 and 1835. He studied at the National Academy of Design, New York, and exhibited there periodically between 1834 and 1852. The first genre painting he exhibited at the National Academy was Militia Training (1841; Philadelphia, PA Acad. F.A.), although another example, In the Woodshed (1838; Boston, MA, Mus. F.A.), predates it. He also exhibited at the Pennsylvania Academy of Fine Arts (1845 and 1847) and at the Apollo Association and American Art-Union (1841-50).






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